The best is this ballad about that point where even the most devoted lovers have to admit defeat. While the story is a bear to follow, individual songs keep rising to the fore and grabbing you. “That’s How I Knew This Story Would Break My Heart” (2005)Ĭoncept albums can trip up even the finest artists: The Forgotten Arm finds Mann trying her hand at the form. Related: “The Adele of the 80s: Alison Moyet” 6. It’s a harrowing song, with a refrain that hits like a gut punch every time, yet it’s loveliness refuses to abate. A simple acoustic strum is eventually accompanied by sympathetic strings as Mann’s voice, pretty yet delicate in its higher register, locates every bit of melancholy in the lyrics.
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For Lost in Space, she waits to unleash this torrent of sorrow until the very end. On almost every album from Mann, there is a show-stopping weeper to stop you in your tracks. Either way, it would be nasty if it weren’t so sad. This number, which can be heard in instrumental form on the Magnolia soundtrack, stands out because of how it can be interpreted as either a lament over a feckless lover or a takedown of empty suits. 2, her masterpiece which came about when Mann funneled all of her frustration with her record company and the music industry in general into a focused expression of disappointment and dejection. There is not an inessential track on Bachelor No. This track doesn’t get the on-screen showcase that “Wise Up” got (with its cast singalong scene), but it’s a pristine pop gem nonetheless with Beatlesque overtones brightening things up. The Boogie Nights auteur was inspired by Mann’s music to write his film Magnolia which included her songs in the narrative. When record company struggles piled up for Mann and the suits pushed her for a hit, director Paul Thomas Anderson threw her a lifeline. Related: “How ‘Girls’ Helped Me Rediscover Joni Mitchell” 3. Mann does the rest with one of her most evocative metaphors.
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On this track marked by a typically wending Mann melody and some clattery percussion, Brion ladles on all kinds of squiggles and squawks, conjuring almost a horror movie vibe, to keep listeners surprised throughout. After producing only a portion of Whatever, Brion helmed all of Mann’s sophomore album I’m With Stupid.
Mann found a kindred musical spirit in producer and multi-instrumentalist Jon Brion. It also shows a hopefulness in the chorus that, considering her penchant for more somber material, is almost bracing to hear coming from that voice. This piano-and-orchestra beauty shows off her idiosyncratic side, as she inhabits a character who becomes involved with a Jimmy Stewart lookalike many years her younger. Mann’s debut album Whatever immediately established her as a solo act and proved that she could move on from her ‘Til Tuesday era. Her entire catalog deserves closer inspection though so here are ten Aimee Mann songs that might have snuck by you. Now a quarter-century into her solo career, Mann is going as strong as ever, with her 2017 release Mental Illness hailed as one of her finest. But Mann’s talent won the day, even when record company shenanigans forced her into starting her own label just to ensure that she could follow her muse without any nonsense. When that band fell apart, a lesser artist might have faded into anonymity. She is one of the finest singer-songwriters of her generation, yet a large swath of people only knows Aimee Mann from a single song: her ‘80s classic “Voices Carry” with the band ‘Til Tuesday.
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